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Home arrow Reviews arrow Reviews By Scott arrow Reviews By Scott arrow They Eat Ham and Jam and SpamALot....And Boy Is It Fun!
They Eat Ham and Jam and SpamALot....And Boy Is It Fun! PDF Print E-mail
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Written by Scott Lewis   
Jun 17, 2011 at 02:00 AM

Monty Python's Spamalot opened to a packed house this week at the Dallas Summer Musicals and it didn't take long to see why the 2005 Tony winner for Best Musical was such a draw.  The show starts funny and the laughs never cease.  It is quickly obvious this is the musical the Xanadu could have been, but wasn't (I am sorry, but this production reminded me how bad Xanadu was).

Spamalot is a musical “lovingly ripped off from” the 1975 movie Monty Python and the The Holy Grail. The original Broadway production was nominated for fourteen Tony's and was seen by nearly two million people on the Great White Way.

Spamalot begins with a recording of Python alum John Cleese telling audience members that they should feel free to let their cell phones ring willy nilly during the performance, then he corrects himself, that can't happen, and if it does there are knights in the show that just might drag you onstage and impale you.

The tone of irreverence continues early and often.  After an initial miscommunication between narrator and actors and a resetting of the stage the play begins again with monks are crossing the stage chanting prayers while hitting themselves in the face with large bibles.  You can take from that where this play is willing to go, and it does with fantastic results.

Spamalot is the story of King Author and his journey to assemble the Knights of the Round Table and with them find the Holy Grail. The  highlights of the first act include “He Is Not Dead Yet” a brilliantly hysterical number in which  Lancelot is trying to sell “not dead Fred” to Sir Robin, a collector of corpses.  Lancelot and Robin end up joining King Author and their journey leads them to a meeting with a peasant and his mother, who will not believe he is king.

Author calls on the “Lady of the Lake” and her Laker Girls to back up his claims.  This I am sure I don't have to explain, the Laker girls are exactly what you think they are and the laughs continue.  The Lady of the Lake is played to perfection by Caroline Bowman.  I was quite surprised to see no Broadway credit under her belt, but with a voice like this Broadway is in her future.  She is amazing.

Act Two continues in a “dark and very expensive forest”.  Author has a hilarious encounter with the Black Knight, who after being rendered a quadriplegic in a sword fight with Author, insists his injuries are mere flesh wounds.  Also in this forest Author encounters the “Knights who say Ni” and they insist he put on a broadway musical if he is to find the Holy Grail.  This leads to the funniest number of the production.  Author is informed you need Jews to put on a Broadway musical, the number
“You Won't Succeed on Broadway”, while not the most famous tune from this show, it is the most fun.

It is about this time that the Lady of the Lake returns with the number “What Happened to My Part?”  Seems she is not happy with her lack of stage time, and she takes over the stage to tell us about it.  While the Knights go off in search of Jews Lancelot receives a letter from who he assumes is a damsel in distress, what he finds though is Herbert, a nellie boy who's homophobic, music hating father is forcing him into an arranged marriage.  Lancelot saves the boy, comes out and the show culminates with the discovery of the Holy Grail, and a double wedding, King Author and the Lady of the Lake, and Lancelot and Herbert.

Spamalot features a cast of comically gifted actors but the standout here is John Garry who plays the two funniest characters in the play, Not Dead Fred, who is brilliant when doing “He Is Not Dead Yet” and Sir Herbert the little gay boy.

I typically am not a big fan of movies made into theater, it is rare that it works, translating from stage to screen is one thing...but Spamalot is an exception.  It is so funny that I laughed until it hurt.

Spamalot plays the Music Hall at Fair Park through Sunday, June 26th.  Tickets are $15-$75 and available at www.dallassummermusicals.com.  Coming to the Dallas Summer Musicals  July 19-31, a broadway great Guys and Dolls, and the Musical for the State Fair is one of the greatest musicals of all time West Side Story, playing October 4-23.  If you have not or do not see West Side Story you may have to turn in your Gay Card!

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