From This Week In Texas

Reviews
Movie Mayhem
By Ross von Metzke

Nov 10, 2006

Brad Pitt
Babel

What It’s About: Set in Morocco, Tunisia, Mexico and Japan, Babel is an interweaving of three stories that begins with an American couple (Brad Pitt, Cate Blanchett) on vacation who find their lives fall apart when tragedy strikes.

What Works: Not since 12 Monkeys has Pitt channeled his inner thespian so deeply. Director Alejandro Gonzalez Inarritu (21 Grams, Amores Perros) is a master at making stories that seem to have nothing to do with one another all channel the same emotion. This is movie that makes you think and challenges your perception of the world at every turn.

What Doesn’t: It seems a shame to cast an actress of Blanchett’s caliber and then give her virtually nothing to do—but considering any other actress would have made this a completely forgettable part, I guess that’s just another notch on her acting rung.

What’s In It For Us: OK, so they grey Pitt and try their darndest to age him, but he still looks pretty damn yummy. Ditto for Blanchett, one of the most intriguing faces I’ve ever seen and oddly hot in every way, and Gael Garcia Bernal of Bad Education fame.

Bottom Line: We’re talking likely Oscar noms, so get in line now.

20 Centimeters

What It’s About: A narcoleptic transvestite who yearns to become a transsexual dreams up elaborate musical numbers in which she's the star. Yeah, I know, we thought the same thing.

What Works: Well for starters, this exceptionally talented cast will keep you smiling throughout, and director Ramon Salazar has obviously lived with these characters inside of him for years, which makes them resonate that much more.

What Doesn’t: Colorful and kooky as these characters and vignettes are, you can’t help but feel it’s all been done before, either to greater dramatic effect (Dancer in the Dark) with a stronger vision (The Singing Detective) or with greater camp appeal (The Birdcage).

What’s It It For Us: One thing I will say. Spanish, Italian and French filmmakers. They all do far better justice to gay, lesbian and transgender characters than their American counterparts.

Bottom Line: Not the best gay film ever made, but for 90 minutes of sheer enjoyment, you could do a whole lot worse.

The Return

What It’s About: A young businesswoman (Sarah Michelle Gellar) begins to have nightmares of a murder that took place 15 years before. Drawn to a small town by feelings she can’t explain, she slowly begins to discover the death she’s investigating might just be her own.

What Works: As fans of The Grudge found, Gellar brings more to the table in a horror movie than just drawing power. She can act in a medium that’s frequently lacking in talent, plus for the first time in God knows how long, this is a horror movie that makes you think.

What Doesn’t: Sometimes too much! While The Return aspires to be more psychological thriller than slasher flick, occasionally the plot gets so convoluted, you’re not sure what’s going on.

What’s In It For Us: The ladies have certainly made known their loyalty to Buffy over the years, and you don’t get much more loyal than checking out the show’s star. No gay subplots to speak up, but few ladies look hotter running from a ghost.

Bottom Line: There have certainly be scarier flicks, but as these types of movies go, The Return is better than average, and Gellar’s even better than that.

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